46-57 (+/- nature) Interactive #1

%+/-#\(I_Y())/\\)))IVXK)/I/Y(Wii_#/(\YII/\Y\X\(()\VVX/)I/\%(IY())/\\N_)))IVX)/I/Y(W#((_#/(\YII/\+/-Y\X\(()\#VVX/)I/_%\(IY())/\\)))I/.Y(W/_#N\V(\YII/\Y\.X\K(()\VV_X/)I/\(IY()%)/\\)))_#IVX)/I/Y+/-(W/(_\YII/\N#Y\X\.(()\VVX/)I/\(I.Y())/%\\))#)IVX)/I/Y(W_/(\YII/\Y\X\_(()\VNVX/)I/\_#(_IKY())+/-/%.\\)))IVX#)./I/Y(Wii/(\YII/\Y\.X\(()\VV#X/)I/\(INY())/\_\%)))IVX)/I/Y(W#((_/(\YII/+/-\Y\X\((\V_#VX/)I/\(IY()_)/\\)#%))NIVX)/I/Y(K.W/\V(\YII/\#Y\_X\(()\VVX_/)I/\(IY())./\\)))%IV+/-X)/I/NY(W/_#(\YII/\Y\X\(()\VVX/#)I/\(IY())/\\)))I.V%X)/I/Y___(W#/(\YIIN/\Y\XK\(()+/-\VVX/).I/\(IY())/\_#\)))I%VX)/I/Y(Wii/(\YII/\Y\X\(()#N_\VV.X./)I/\.(IY(_))/\\)))IVX#%)/I/Y(W#((/(\YI+/-I/\Y\X_\(()\VVX/)_#I/\N(IKY())/\\)))_IV%X)/I/Y(#W/\V(\YII/.\Y\X_\(()\VVX/)I/#\(IY+/-())/N\\)))IV%X)/I/Y(W/(\YII/__#\Y\X.\(()\VV_X/)I/\(IY())/\\)))#IVXN)/._%IK/Y(W/+/-(\YII/+/-.\Y\X#\(()\VVX/)I/\(IY_())/\\)))IVX)/I%_#/Y(Wii/(N\YII/\Y\X\(()\V_VX/)I/\(IY#(_).)/\\)))+IVX)/I%/Y(W#((./(\_#YII/\Y\XN\(K()\VVX/)I/\(IY()_#)/\\)))IVX)/I/%Y(W/\_V(\YII/\Y\X\(()\#V.V+/-NX/)I/_\(/Y())/.\\)))IV#X)/I/%_Y(W/(\YII/\Y\X\(()\_#VVX/)I/\(IY_NK())/\\).))IVX)/I/Y+/%-_(W/.(.\#YII/\Y\X\(()\VVX/)I/\(I#Y())/\\)))NIVX)/I/Y_#(W%ii/(_\Y_II/\Y\X\(()\VVX/)I/_\(IY())/+/-\\)))IVX+/-)./I/Y#%(NW#((K/(\YII/\Y\X\(()\#.VVX/)I/\_#(IY())/\\)_))IVX)/I_/Y%(W/\V(\YIIN/\Y\X\(()\V_VX/).I/\(IY())/#\\)))IVX)/I/Y(W/(%\#YII/\Y\X\((_#)N__\KVVX/)I/\(IY())/\\).))+/-IVX)/I/Y(W./%.(\YII/\Y\X+/-\(.()\VVX/)I/\N#(I_Y())/\\)))IVX)#_/I/Y_(Wi%i/(_#\YII/\Y\X\(()\VVX/)I/\(IY())/\\N)K))IVX)/I/Y(W#((./(%\YII/\Y\X\(()\V_#VX/)I/\(IY())/\\#_).))I_V_#X)/NI/Y(W/\V(%\YII/+/-\Y\X\(()\VVX/).I/\(+/-IY(.))/\\)))_IVX)/I/Y(KW/N%(\YII/#\Y\X_\((#)\V_#VX/)I/\(IY())/\\)))IVX)/I/Y(W/(\_YI%I/\Y\NX.\_(()\V.VX/)I/\(IY())/\\)))IVX)/I/Y(#Wii_/#(\YI_#%I/\Y\X\(()+/-\VKVXN/)I/\(IY())/\\))_)IVX)/I/Y(W#((./+/-(\%YII/\Y\X_\(()\VVX/)I/\(IY(N))/\_\)))I#V#X)_#/I/Y(W/\V(\.%Y_II/\Y\X\.(()\VVX/).I/\(IYK())/\\).)N)IVX)/I/Y(W/(\YII/\%Y\X\(()\V_VX/)I_/#\(I_##Y+(_))/\\)))IVX)/I/YN(W/(\YII/\Y\%X\(()\V+/-.VX/)I/\(IY())/\\)))IV_X)/I/Y.(KWii/(\YII/N\_Y_%#\#X#\(()+/-\VVX/)I/\(IY())/\\))_)IVX)/I/Y(.W#((/(\YII/\%Y\X\(()\NV_VX/)I/\(IY()_)/\\)))IVX)/I/Y(#W_#/\V#(\YII/\Y\%XK\(()\VVX/).I/N\/IY.()+/-.)/\\)))IVX)/I/Y__(W/(\Y_II/\Y\%X\(()\VVX/)I/\(IY())/\#N\_#)+/-#))IVX)/I/Y(W/(\YII/\Y\X\(%().\V.VX/)I/\(IY_()K)_/\\)))IVX)/NI/Y(Wii/(\YII/\Y\X_.\(()%\_##VVX/)I/\(#IY())/\\)))IVX)/I/.Y(W#(_(/(\YNI+/-I/_\Y\X\%(()\VVX/)I/\(IY())/\\)))IVX)/I/Y+/-(WK/#\V(\_#YII/\Y\XN%\(#()_\VVX/).I/\(_IY(.))/_\\)))IVX)/I/Y(W/(\.YII/\Y\X\(()%\VVX/N)I/\(IY+/-())/\\)))IV#_#X_)/I/Y(W/(\YII/.\#Y\XK\(()%\V_+/-VX/)I/\(IY()N)/\\)))IV_X)/I/Y(Wii/(\YII/\Y\X\(()\VV_%#X/_#)_#

The work above attempts to demonstrate how organic (or imperfectly created) aesthetic qualities can be simulated with mathematically derived patterning.

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